Since #feministoscars, actresses are on a roll naming and shaming sexism in Hollywood, culminating this week in Cannes
Wasn’t it way cool when Patricia Arquette used her best Supporting Actress win at the Oscars, a wholly sexist and racist love-in, to call for women’s wage equality, and Meryl Streep sat bolt up to point and shout ‘Yes’ in a ‘You said it sister!’ way. Since that moment, at what became known on social media as #feministoscars, many of the biggest actresses in the business have been naming and shaming sexism in Hollywood at an ever increasing rate, culminating this week with an incredulous high heels ruling at Cannes. Here, Emily Blunt led the voices of opposition at the retrograde ruling that women must wear high heels on the red carpet. Blunt takes the lead role as an FBI agent in drug war thriller Sicario, the makers of which revealed that they had been pressured into rewriting the female lead as a man.
To me, blatant sexism and Hollywood have always been synonymous. Growing up it seemed that only a handful of narratives exist in the mainstream – all of which centre on the male experience. Boy meets girl, boy has coming of age journey, boy meets boy in buddy movie, boy saves the world. From my teens I noticed the totally strange, audacious and at times frankly eerie absence of women in movies, other than bit parts as hotties, strippers, rape victims and dead hotties – but what is depressing is that I knew my white male friends, and probably the majority, didn’t. Geez, even when Hollywood patronises us with a romantic comedy, the female lead is a Happy Hooker.* Pretty Woman nicked Cinderella and seemed intent on grooming young women into prostitution.
But just as sexism is now being named in the mainstream on a daily basis, Hollywood’s biggest female talents are batting away questions about their dresses and nails and using every opportunity to name and shame the shocking sexism they face. Michelle Rodriguez used an interview with N.J.com to complain about the clichés she encountered and having to be really picky about parts, saying, ‘I can’t be the slut. I cannot just be the girlfriend. I can’t be the girl who gets empowered because she’s raped. I can’t be the girl who gets empowered and then dies… like Million Dollar Baby – why she got to die at the end, man?’ Rodriguez notes that she hasn’t led a movie since Girlfight.
Kirsten Stewart used an interview with Harpers Bazaar to highlight how women have to work so much harder than men to get taken seriously, saying ‘Hollywood is disgustingly sexist. It’s crazy. It’s so offensive, it’s crazy.’
Cate Blanchett has spoken frequently on Hollywood sexism, bringing attention to Sony’s leaked emails that revealed a pay gap between male and female actors. I’m still mad that Amy Adams, who totally owned American Hustle, got paid less than her male co-stars. Blanchett used Cannes to call up the media obsession with her own – and all women’s – sexuality.
Cannes also became a platform for the awesome Salma Hayek, a prolific fighter of male violence against women, who used a Variety event to speak about the sexism, pay gap and general backwardness of Hollywood, saying, ‘For a long time they thought the only thing we were interested in seeing was romantic comedies. They don’t see us as a powerful economic force, which is an incredible ignorance… the only kind of movie where women make more than the men is the porno industry.’
Charlize Theron spoke about the dearth of decent roles for women who have to wait so long for the right acting opportunities. Isabella Rossellini, heading up the jury of Un Certain Regard, pointed the finger at directors for only addressing an audience of young, banal, males, bemoaning, ‘a lot of films where people punch each other… I’m not interested.’
One young actress who flags up sexism at any opportunity and has enjoyed one of the greatest contemporary feminist roles, without being given micro shorts and cartoon breasts is, of course, Jennifer Lawrence. Along with Reese Witherspoon, Scarlet Johansen and Amy Poehler Smart Girls, Lawrence used the Oscars to push #AskHerMore onto the agenda. With films increasingly failing to pass the Bechdel test – to pass this test a film must features at least two women who talk to each other, and the topic must be about something other than a man – and women comprising just 7% of the directors on Hollywood’s biggest grossers, we need more women writing and directing women in roles that tell the female experience. Women are a huge cinema-going audience. We want to see portrayals of women, for we lead amazing lives and survive with amazing deeds. Hollywood is a sorry waste of incredible female talent. As Oscar nominee Maggie Gyllenhall revealed this week, she is one of many who’ve had the door shut in her face because of Hollywood’s almost laughable sexist ageism. ‘I’m 37 and I was told recently I was too old to play the lover of a man who was 55.’ Meanwhile, on the blockbuster front, a trend for female superheroes is coming, but watching the Wonder Woman trailer, her tits and ass look like the money shots. I’ll hold out for the new Ghostbusters.
Despite the high heels business, Cannes actually featured a great many female directors and protagonists this year. Read up
Positive stuff to come out of Cannes and the #Seehernow twitter campaign
Hollywood’s sexist ageism is a joke. Check out these pairings
Research showing drop in films passing Bechdel test in 2014
*’Happy Hooker’ is a term used by those with the common sense to know that the international ‘sex trade’ is modern day slavery. ‘Happy Hookers’ are those women who feel their choice to prostitute themselves is more important than ending demand for the global market for prostituted children and women